{"version":"1.0","provider_name":"Cmus","provider_url":"https:\/\/cmus.cl\/en\/","author_name":"admin-cmus","author_url":"https:\/\/cmus.cl\/en\/author\/admin-cmus\/","title":"CMUS in Revista Musical Chilena - Cmus","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QpnsdxjYbz\"><a href=\"https:\/\/cmus.cl\/en\/cmus-in-revista-musical-chilena\/\">CMUS in Revista Musical Chilena<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/cmus.cl\/en\/cmus-in-revista-musical-chilena\/embed\/#?secret=QpnsdxjYbz\" width=\"600\" height=\"338\" title=\"&#8220;CMUS in Revista Musical Chilena&#8221; &#8212; Cmus\" data-secret=\"QpnsdxjYbz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/cmus.cl\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/cmus.cl\/wp-content\/uploads\/2026\/01\/1-4-e1769638468341.png","thumbnail_width":1080,"thumbnail_height":1350,"description":"The latest edition of the Revista Musical Chilena (Chilean Music Review) includes a dossier edited by Eileen Karmy and Javier Rodr\u00edguez, who served as research associates until December 2025. They wrote the introduction to the document. This dossier was the result of the working group &#8220;50 Years Since the Coup.&#8221; The dossier contains the following [&hellip;]"}