{"id":17610,"date":"2023-05-17T20:29:42","date_gmt":"2023-05-17T20:29:42","guid":{"rendered":"https:\/\/cmus.cl\/publications\/"},"modified":"2023-12-25T18:44:21","modified_gmt":"2023-12-25T18:44:21","slug":"publications","status":"publish","type":"page","link":"https:\/\/cmus.cl\/en\/repository\/publications\/","title":{"rendered":"publications"},"content":{"rendered":"

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Title<\/th>Categories<\/th>Date<\/th>Author<\/th>categories_hfilter<\/th><\/tr><\/thead>
“Globally, songs are slower, higher, and use more stable pitches than speech [Stage 2 Registered Report]”<\/a><\/td>Communities, territories and participation<\/a><\/td>May 15, 2024<\/td>Ignacio Soto Silva<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
\u201cThe Representation of Mapuche Spirituality in Popular Music: The Case of Anklaje\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>May 30, 2023<\/td>Javier Silva Zurita<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
M\u00fasica, fire and topophilia. The Case of Dignity Band (2019-2021)\u201d<\/a><\/td>Communities, territories and participation<\/a><\/td>May 29, 2023<\/td>Christian Spencer Espinosa<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
\u201cChilean-Style Urban Music\u201d<\/a><\/td>Communities, territories and participation<\/a>, Social class and distinction<\/a><\/td>February 6, 2023<\/td>Sebasti\u00e1n Mu\u00f1oz Tapia<\/a><\/td>communities-territories-and-participation social-class-and-distinction<\/td><\/tr>
“Rethinking Post-Authoritarian Chile Through its Popular Music”<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a><\/td>January 10, 2023<\/td>Daniel Party Tolchinsky<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture<\/td><\/tr>
\u00abSo, What\u2019s He Like?: Jos\u00e9 Luis Perales and the masculinity crisis of the Spanish Transition\u00bb<\/a><\/td>Communities, territories and participation<\/a>, Genders, sexualities and dissident bodies<\/a><\/td>December 20, 2022<\/td>Daniel Party Tolchinsky<\/a><\/td>communities-territories-and-participation genders-sexualities-and-dissident-bodies<\/td><\/tr>
\u201cPerformance and citizenship: Andean dance as an act of recognition\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>September 15, 2022<\/td>Andrea Chamorro P\u00e9rez<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cThe production of a rapper space. The socio-musical dynamics of a home studio in the suburbs of Buenos Aires\u201d<\/a><\/td>Communities, territories and participation<\/a>, Social class and distinction<\/a><\/td>August 22, 2022<\/td>Sebasti\u00e1n Mu\u00f1oz Tapia<\/a><\/td>communities-territories-and-participation social-class-and-distinction<\/td><\/tr>
\u00abLos Diablos Rojos de V\u00edctor Jara: a choreographic and musical analysis\u00bb<\/a><\/td>Communities, territories and participation<\/a><\/td>August 10, 2022<\/td>Daniel Party Tolchinsky<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
\u201cThe experience of the cassette as a binder meta-device in the beginnings of rap in Santiago of Chile (1983-1999)\u201d<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a>, Social class and distinction<\/a><\/td>July 30, 2022<\/td>Sebasti\u00e1n Mu\u00f1oz Tapia<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture social-class-and-distinction<\/td><\/tr>
\u201cThe Representation of Mapuche Spirituality in Popular Music: The Case of Anklaje\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>July 30, 2022<\/td>Ignacio Soto Silva<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cMusical Messaging: The Social and Anti-Social Affordances of WhatsApp in the Football Culture of the Latin American Southern Cone\u201d<\/a><\/td>Communities, territories and participation<\/a><\/td>July 21, 2022<\/td>Luis Achondo Parra<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
\u201cChinoy\u2019s High-Pitched and Disconcerting Voice\u201d<\/a><\/td>Communities, territories and participation<\/a>, Genders, sexualities and dissident bodies<\/a><\/td>June 30, 2022<\/td>Laura Jord\u00e1n Gonz\u00e1lez<\/a><\/td>communities-territories-and-participation genders-sexualities-and-dissident-bodies<\/td><\/tr>
\u201cThe Trutruka playing as a representation of Mapuche resistance in the urban popular music scene in the region of Los Lagos, Chile\u201d.<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>June 30, 2022<\/td>Ignacio Soto Silva<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cAn approach to Mapuche Williche music through chronicles and academic research\u201d<\/a><\/td>Communities, territories and participation<\/a>, Education and heritage<\/a>, Ethnicity, racialization and migration<\/a><\/td>June 14, 2022<\/td>Ignacio Soto Silva<\/a><\/td>communities-territories-and-participation education-and-heritage ethnicity-racialization-and-migration<\/td><\/tr>
\u201cTransphonographies of Chilean exile in Europe\u201d<\/a><\/td>Uncategorized<\/td>April 30, 2022<\/td>Laura Jord\u00e1n Gonz\u00e1lez<\/a><\/td><\/td><\/tr>
“Porous Borders, Connected Sounds: The Transnationality of the Chilean New Song through its Writings”<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>March 30, 2022<\/td>Javier Rodr\u00edguez Aedo<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cResistance, politics and exoticism: some notes to place the Chilean political songs in exile\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>March 21, 2022<\/td>Javier Rodr\u00edguez Aedo<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cLatin-American presence at the Encounters of Contemporary Music of the Agrupacio\u0301n Musical Anacrusa (Chile, 1987-1992)\u201d.<\/a><\/td>Communities, territories and participation<\/a><\/td>March 15, 2022<\/td>Daniela Fugellie Videla<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
“Music as strategy of ritualization: an approach to Mapuche ritual practice”<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>January 30, 2022<\/td>Leonardo D\u00edaz Collao<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cGilberto Mendes at the Latin-American Courses for Contemporary Music\u201d<\/a><\/td>Communities, territories and participation<\/a>, Education and heritage<\/a><\/td>January 4, 2022<\/td>Daniela Fugellie Videla<\/a><\/td>communities-territories-and-participation education-and-heritage<\/td><\/tr>
\u00abMusic and work. Musicians unions in Chile, 1893-1940\u00bb<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a><\/td>November 30, 2021<\/td>Eileen Karmy Bolton<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture<\/td><\/tr>
\u201cMusical Practices and the Invention of a Tradition: The Case of the We Tripantu\u0308, the Celebration of the Mapuche New Year\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>September 30, 2021<\/td>Javier Silva Zurita<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cPablo Garrido\u2019s advocacy of musicians\u2019 labor rights in Chile (1932-1940)\u201d<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a><\/td>September 30, 2021<\/td>Eileen Karmy Bolton<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture<\/td><\/tr>
\u201cBack to the neighborhood. Theoretical and methodological contributions of music to the study of locality in Latin American cities\u201d<\/a><\/td>Communities, territories and participation<\/a><\/td>September 9, 2021<\/td>Christian Spencer Espinosa<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
\u201cThe musical mimesis in the building of a Mapuche-identity discourse in popular music from southern Chile: a preliminary approach based on three cases in the Lake Region\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>July 30, 2021<\/td>Ignacio Soto Silva<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cThe vicious circle of female invisibility: Gender inequities in the Chilean musical field\u201d<\/a><\/td>Communities, territories and participation<\/a>, Genders, sexualities and dissident bodies<\/a><\/td>July 5, 2021<\/td>Carla Pinochet Cobos<\/a><\/td>communities-territories-and-participation genders-sexualities-and-dissident-bodies<\/td><\/tr>
\u201cA Cry for Palestine: Vocal Practice and Imaginaries of Palestinian-ness among Chilean Football Supporters of Club Deportivo Palestino\u201d<\/a><\/td>Communities, territories and participation<\/a><\/td>July 2, 2021<\/td>Luis Achondo Parra<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
“Mutual aid among musical workers in Chile in times of crisis”<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a><\/td>December 31, 2020<\/td>Eileen Karmy Bolton<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture<\/td><\/tr>
\u201cAusentes presentes. Art music from the Chilean exile in Anacrusa\u2019s festivals at the Goethe-Institut Santiago (1985\u201389)\u201d<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a>, Education and heritage<\/a><\/td>October 20, 2020<\/td>Daniela Fugellie Videla<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture education-and-heritage<\/td><\/tr>
Female performers, composers and musicologists at the meetings of the Anacrusa music group (1985\u20131994)<\/a><\/td>Communities, territories and participation<\/a>, Genders, sexualities and dissident bodies<\/a><\/td>July 30, 2020<\/td>Daniela Fugellie Videla<\/a><\/td>communities-territories-and-participation genders-sexualities-and-dissident-bodies<\/td><\/tr>
\u201cResignifying the canon: The Requiem of Mozart in the Chilean social uprising\u201d<\/a><\/td>Communities, territories and participation<\/a><\/td>June 18, 2020<\/td>Daniela Fugellie Videla<\/a><\/td>communities-territories-and-participation<\/td><\/tr>
\u201cThe call of the rain: Tarqueada in Arica as sound experience and performance\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>June 8, 2020<\/td>Andrea Chamorro P\u00e9rez<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cCarnival in Los Andes: an approach to the fertility of its meanings\u201d.<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>April 18, 2020<\/td>Andrea Chamorro P\u00e9rez<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
“Looking for the Past: History and Change in Traditional Music Studies in Chile (1990\u20132020)\u201d<\/a><\/td>Education and heritage<\/a><\/td>March 20, 2020<\/td>Christian Spencer Espinosa<\/a><\/td>education-and-heritage<\/td><\/tr>
\u201cCultural Festivals in Urban Public Space: Conflicting City Projects in the Central Zone of Chile\u201d<\/a><\/td>Communities, territories and participation<\/a>, Economies, industries and policies of culture<\/a><\/td>August 25, 2019<\/td>Carla Pinochet Cobos<\/a><\/td>communities-territories-and-participation economies-industries-and-policies-of-culture<\/td><\/tr>
\u201cImage and experience: The carnival of Arica as festive self-representation\u201d<\/a><\/td>Communities, territories and participation<\/a>, Ethnicity, racialization and migration<\/a><\/td>January 20, 2017<\/td>Andrea Chamorro P\u00e9rez<\/a><\/td>communities-territories-and-participation ethnicity-racialization-and-migration<\/td><\/tr>
\u201cMusic and Cultural Identity: an Ethnically-based Music Program in a Mapuche-Pewenche School\u201d<\/a><\/td>Communities, territories and participation<\/a>, Education and heritage<\/a><\/td>October 30, 2014<\/td>Javier Silva Zurita<\/a><\/td>communities-territories-and-participation education-and-heritage<\/td><\/tr><\/tbody><\/table>[\/vc_wp_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

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