{"id":20316,"date":"2026-06-18T00:27:01","date_gmt":"2026-06-18T00:27:01","guid":{"rendered":"https:\/\/cmus.cl\/tomas-peters\/"},"modified":"2026-06-19T21:01:13","modified_gmt":"2026-06-19T21:01:13","slug":"tomas-peters","status":"publish","type":"page","link":"https:\/\/cmus.cl\/en\/tomas-peters\/","title":{"rendered":"Tom\u00e1s Peters"},"content":{"rendered":"

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Tom\u00e1s Peters<\/h1>\n

Main Researcher<\/em><\/h5>\n<\/div>[\/vc_column][\/vc_row][vc_row][vc_column]

 <\/p>\n

He holds a PhD in Cultural Studies from Birkbeck College, University of London, a Master’s degree in Art Theory and History, and is a sociologist. His research areas include the sociology of art and culture, cultural studies, and the history and theory of cultural policies in Latin America. He is the editor-in-chief of the journal Comunicaci\u00f3n y Medios (Scopus, ERIH Plus, Scielo). <\/p>\n

He is currently the Principal Investigator of the Fondecyt Initiation Project No. 11240541 (2024-2026) \u201cPower, Influence, Knowledge, and Change in the Configuration of Recent Cultural Institutions in Chile: Towards a Sociology of Cultural Policies,\u201d Co-Investigator of the Project (2023-2024) \u201cDevelopment of a Policy Model for the Chilean Cultural Industry: Lessons from South Korea\u201d (Funded by the Korea Foundation), and Co-Investigator of the Fondecyt Regular Project No. 1211594 (2021-2024) \u201cFilm Audiences in Chile: Film Culture, Cinephilia, and Formation Processes.\u201d He is the author of the books The unrelenting gap: Cultural policies and inequality in Chile <\/em> (OPC Editions, 2023), Imagining Common Times<\/em> (Balmaceda Arte Joven, 2022) and Sociology(ies) of Art and Cultural Policies<\/em> (Metales Pesados, 2020)<\/p>\n

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