{"id":17607,"date":"2023-07-04T17:45:21","date_gmt":"2023-07-04T17:45:21","guid":{"rendered":"https:\/\/cmus.cl\/recognition\/"},"modified":"2023-07-04T17:45:21","modified_gmt":"2023-07-04T17:45:21","slug":"recognition","status":"publish","type":"post","link":"https:\/\/cmus.cl\/en\/recognition\/","title":{"rendered":"RECOGNITION"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Issue 52 of the journal Resonancias features the report <a href=\"https:\/\/resonancias.uc.cl\/wp-content\/uploads\/sites\/13\/2023\/06\/4-Resonancias-52-Diaz-Collao.pdf\"><strong> \u201cBeyond Mapuche Music: Equivocation, Definitions and Resistance\u201d<\/strong><\/a>, written by CMUS head researcher <strong>Leonardo D\u00edaz-Collao <\/strong>. This article was the recent winner of the <strong> Samuel Claro Vald\u00e9s Musicology Award<\/strong>, given every year since 1998 by the UC Music Institute in tribute to this renowned musicologist.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In their evaluation, the panel of judges recognized D\u00edaz-Collao\u2019s article for being &#8220;a text that renews and promotes the debate on the tension between what is understood by music in ethnomusicological production and in Mapuche communities. In addition, it broadens this debate, considering the language and the sound landscape, in the context of an original conceptual proposal&#8221;. <\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">This year sixteen articles were submitted for the contest by authors from several different countries. Their articles were evaluated anonymously and the panel of judges noted the overall high level of quality. We here at CMUS celebrate the work of Leonardo D\u00edaz-Collao and we invite the community <a href=\"https:\/\/resonancias.uc.cl\/wp-content\/uploads\/sites\/13\/2023\/06\/4-Resonancias-52-Diaz-Collao.pdf\">to read his article. <\/a> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issue 52 of the journal Resonancias features the report \u201cBeyond Mapuche Music: Equivocation, Definitions and Resistance\u201d, written by CMUS head researcher Leonardo D\u00edaz-Collao . This article was the recent winner of the Samuel Claro Vald\u00e9s Musicology Award, given every year since 1998 by the UC Music Institute in tribute to this renowned musicologist. &nbsp; In [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":17543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-17607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RECOGNITION - Cmus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cmus.cl\/en\/recognition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RECOGNITION - Cmus\" \/>\n<meta property=\"og:description\" content=\"Issue 52 of the journal Resonancias features the report \u201cBeyond Mapuche Music: Equivocation, Definitions and Resistance\u201d, written by CMUS head researcher Leonardo D\u00edaz-Collao . 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