{"id":19133,"date":"2025-07-02T10:45:35","date_gmt":"2025-07-02T10:45:35","guid":{"rendered":"https:\/\/cmus.cl\/cmus-researchers-published-in-the-journal-resonance\/"},"modified":"2025-07-02T10:45:35","modified_gmt":"2025-07-02T10:45:35","slug":"cmus-researchers-published-in-the-journal-resonance","status":"publish","type":"post","link":"https:\/\/cmus.cl\/en\/cmus-researchers-published-in-the-journal-resonance\/","title":{"rendered":"CMUS researchers published in the journal Resonance"},"content":{"rendered":"<p>El pasado 31 de junio sali\u00f3 el N\u00b0 56 de la revista acad\u00e9mica <a href=\"https:\/\/resonancias.uc.cl\/n-56\/\"><em>Resonancias<\/em> <\/a>de la Universidad Cat\u00f3lica, en el cual varios integrantes de CMUS contribuyeron con publicaciones: el dossier <a href=\"https:\/\/resonancias.uc.cl\/n-56\/ecologias-sonoras-desde-el-antropoceno-latinoamericano-una-introduccion-al-dossier\/\">&#8220;Ecolog\u00edas sonoras desde el Antropoceno latinoamericano<\/a>&#8221; tiene la firma de Daniel Party y Luis Achondo. The text reads: \u201cThe four documents that comprise this dossier address anthropocentric tensions in the practice of plant sonification, masculinized forms of listening to non-human entities in the Patagonian environment, auditory ethics in Amazonian lands, and the resonant nature of the Mapuche universe.\u201d Luis Achondo himself also contributed an article for this dossier called &#8220;Resonant Wallmapu: More-Than-Human Significance in Mapuche Sound Ecology&#8221; <a href=\"https:\/\/resonancias.uc.cl\/n-56\/wallmapu-resonante-significacion-mas-que-humana-en-la-ecologia-sonora-mapuche\/\">&#8220;Wallmapu resonante: significaci\u00f3n m\u00e1s-que-humana en la ecolog\u00eda sonora mapuche&#8221;<\/a> where he wrote &#8220;The Mapuche worldview conceives of the Wallmapu as a resonant universe. As the newen vibrates sonically on diverse existential planes, the sustainability of the itrofill mongen is based on the expression, perception, and signification of the distinct forms of dungun, the varied vocal resonances of the earth. Relating to and learning from non-humans and more-than-humans requires an auditory disposition toward the diverse sonic signs produced by the different species, spirits, and forces that comprise the itrofill mongen. This co-produced semiotic resonance allows us to conceive of Mapuche reality as inherently resonant.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-18801 alignleft\" src=\"https:\/\/cmus.cl\/wp-content\/uploads\/2025\/07\/traenos.jpg\" alt=\"\" width=\"126\" height=\"193\">En otro apartado de la revista, <strong>Javier Rodr\u00edguez<\/strong> aport\u00f3 con la <a href=\"https:\/\/resonancias.uc.cl\/n-56\/rojas-sahurie-pablo-traenos-tu-reino-de-justicia-e-igualdad-mesianismo-y-nueva-cancion-chilena-santiago-ariadna-ediciones-2024-277-pp\/\">rese\u00f1a<\/a> para el libro <em>Bring us your kingdom of justice and equality. Messianism and New Chilean Song<\/em> by musicologist <strong>Pablo Rojas<\/strong>. He highlights<span class=\"OYPEnA font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\">: &#8220;Among the main contributions of this book is the way it complicates the general picture of the link between the religious dimension and political song. Building on previous works (Vilches 2011; Guerra 2014), Pablo Rojas delves deeper into this relationship, drawing on the category of messianism. Focusing on this category is both original and intelligent, as it allows us not only to concentrate the theoretical framework on a defined corpus of concepts, but also to narrow down the corpus of songs to be analyzed (which otherwise might have overflowed the book).&#8221;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El pasado 31 de junio sali\u00f3 el N\u00b0 56 de la revista acad\u00e9mica Resonancias de la Universidad Cat\u00f3lica, en el cual varios integrantes de CMUS contribuyeron con publicaciones: el dossier &#8220;Ecolog\u00edas sonoras desde el Antropoceno latinoamericano&#8221; tiene la firma de Daniel Party y Luis Achondo. The text reads: \u201cThe four documents that comprise this dossier [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19134,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45,42],"tags":[262,242,261],"class_list":["post-19133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ethnicity-racialization-and-migration","category-news","tag-journal","tag-mapuche-en","tag-publication"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CMUS researchers published in the journal Resonance - Cmus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cmus.cl\/en\/cmus-researchers-published-in-the-journal-resonance\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CMUS researchers published in the journal Resonance - Cmus\" \/>\n<meta property=\"og:description\" content=\"El pasado 31 de junio sali\u00f3 el N\u00b0 56 de la revista acad\u00e9mica Resonancias de la Universidad Cat\u00f3lica, en el cual varios integrantes de CMUS contribuyeron con publicaciones: el dossier &#8220;Ecolog\u00edas sonoras desde el Antropoceno latinoamericano&#8221; tiene la firma de Daniel Party y Luis Achondo. 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